The software
$15–70 /mo
Premiere Pro to edit everything by hand, or an OpusClip that clips without really editing: the master is still your job.
You stay the editor.
01 — Pricing
The price of a studio.Not another tool.
Vibe Editor deliberately sits between software and a human service: the price of a delivered result, not a license. One credit is one standard short — edited, checked, ready to publish — with a fixed quote announced before every run.
02The market
Between the tool and the human service.
Vibe Editor
€349–1,990 /mo excl. VAT
You drop footage, review decisions, publish the master.
You stay the director.
Human services
$540–3,000 /mo
You brief, wait in line, manage the back-and-forth.
You stay the manager.
03 — The first step
Start with two shorts.
€149 excl. VAT — two credits on your own footage, delivered exactly like production: decision feed, quality control and first revision included. No subscription to begin, and the €149 comes off your first month if you continue within 30 days.
04The plan
One plan open, and that's on purpose.
Pro is the only plan we open today, run as guided calibration with our first partners. A plan sizes production capacity — never master quality: same studio, same quality control, same personalized skill, first revision included.
Pro
Launch offer — design partners€799excl. VAT / mo
30 credits per month
- 3 active production lines
- 2 brands, 3 review seats
- Footage library: 500 GB, kept for 90 days
- 1-month credit rollover
- Priority handling, guided calibration
What comes next
Two plans will eventually sit either side of Pro. We're not opening them yet: each one is waiting on proof, not on a date. Their numbers come from the grid we're calibrating, and are shown here to place the trajectory.
Creator
12 credits per month
€349 excl. VAT / mo
1 production line, 1 brand, 1 review seat, 100 GB of footage kept for 30 days, standard async support.
Opens once getting started needs no help from us: upload, brief and first master entirely on your own.
Studio
75 credits per month
€1,990 excl. VAT / mo
8 production lines, 5 brands, 10 review seats, 2 TB of footage kept for 1 year, 1-month credit rollover, dedicated point of contact.
Opens once isolation, observability and running several brands inside one account are proven.
Early access: this grid is being calibrated with our first partners.
05Credits
One credit, one delivered short.
Credits keep the price predictable: you pay for the deliverable, never for the work it took. Retries and quality control are inside it.
Before it starts, every run states how long it will take and what it costs in credits.
Standard short
1 credit
master ≤ 90 s, ≤ 60 min of sources, standard captions, brand kit and motion
Crafted short
2 credits
multi-source narrative, custom motion or ≤ 120 min of sources
Variant
0.5 credit
same edit, different ratio, language or CTA
First revision
included
a fix to the deliverable, within the original brief
Further revisions
0.5 credit
quote announced before the run for structural rework
Ingest & learning
0 credits
within the plan's storage and source-length limits
Long-form videos and complex ad formats: on quote, while we calibrate their standard contract.
06Questions
What you're wondering.
Who actually edits?
Agents operate our editing engine: selection, cuts, captions, sound, then deterministic and perceptual quality control. During early access, a human eye remains accountable for every delivered master.
How long does a master take?
You're never left guessing: before it starts, every run states how long it will take and what it costs in credits, and its status stays visible until delivery. We don't publish a standard turnaround yet — we're measuring it with our first partners before putting it in writing.
Do I have to finish the edit myself?
No — that's the contract. You review, annotate or approve. Fixes go through the studio, never through your hands: the first revision is included. You'll never have to reopen Premiere.
How is this different from Descript, OpusClip or Bevyl?
They're good tools, and they make you a better editor. The difference comes down to one gesture: with them you open an editor — to steer it, to fix it, or to finish it. Here there isn't one. You watch the master, you annotate what's wrong, and the fix goes back to the studio. We take responsibility for the edit, and we show you every decision so you can check it.
Who owns my brand's skill?
You do. The rules learned about your brand are readable, versioned and exportable at any time. Your footage is never used for other clients without explicit consent.
What if I change my mind about the concept?
A brief change after the rough cut is new work, not a revision: the studio announces its credit quote before running again.
What about long-form videos?
The engine already edits them. We offer them on quote while we measure their standard contract — tell us about your format.